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About the Project,
taken from www.speaktruth.org
The Speak Truth
to Power Educational and Advocacy Packet, developed in
association with Amnesty International, is now available, free of
charge. The packet, which will be distributed to over 10,000 schools
in the U.S. beginning in January, 2001, introduces the principles
of human rights to high school and university-aged young adults
and teaches them how to apply these principles to their own lives
and situations they encounter. The 64-page educational packet presents
a definition of human rights terms, a brief history of human rights,
as well as an introduction to the Universal Declaration of Human
Rights. Also included are eight profiles of some of the human rights
defenders featured in the hardcover book, resources and guides for
further investigation, discussion questions and exercises for classroom
use, and stories of other young people who have become active in
human rights, and Ariel Dorfman's new work, Speak Truth to Power:
Voices from Beyond the Dark, complete with staging instructions.
This packet is a great way for educators to introduce the basics
of human rights to young adults.
If you would like a copy of the education packet, please email Karen
Robinson at Amnesty International (krobinso@aiusa.org) or call her
at (212) 633-4200.
Defender, Kailash Satyarthi, gives us his thoughts on the educational
packet:
It has become obvious
that even the allegedly most-advanced educational systems of the
world are failing to meet the intrinsic human needs of the individual
and of society as a whole. These needs have become obscured behind
a cynical essentialism--an "us" versus "them"
mentality that pervades and factionalizes children even before they
are equipped to think critically about the facts of the world for
themselves. If children are brought up first and foremost to evaluate
the world through a filter of "isms," even before coming
to recognize and celebrate the commonalities and potentials of the
human race, then we are, in fact, handing our future over to cynicism
and pessimism.
I am speaking of the
necessity to include Human Rights Education in the classrooms of
today. The problems that confront each and everyone of us, and each
and everyone of our children, are unfathomably complex. To evaluate
the inummerable shortcomings and crises of the world only through
an endless and often-contradictory essentialist array of filters,
however, can only
end in defeat.
So how can we guide our
children to act on the issues that confront them daily and can seem
insurmountable? It is my belief that one of the most useful tools
that we can give to our children today is a critical framework based
on universal principles of Human Rights...specifically, on the Universal
Declaration of Human Rights. This is a document that is both flexible
enough to allow for the variety of human lives and human experiences
that exist across the globe, yet strong enough, and just enough
to provide for us all the parameters of what is and is not acceptable
in our behavior towards one another. It is both a simple guard against
a lacadasical and boorish relativism and a trustworthy standard
of respect for human life in its many permutations. How can we give
our children this tool and teach them to use it wisely?
I am pleased to say that
the educational packet that is one more part of the Speak Truth
to Power project is one tool that can be used to introduce the most
basic principles of human rights to high school and university age
children and young adults, and teach them to apply them to their
own lives and situations they encounter. Developed in close collaboration
with Amnesty International, Kerry Kennedy Cuomo, and Ariel Dorfman,
this 60-page educational packet includes a definition of what we
mean when we talk about "human rights," a brief history
on the idea
and international legislation of human rights, as well as an introduction
to the Universal Declaration of Human Rights itself. Furthermore,
8 of the interviews from the book, Speak Truth to Power have been
excerpted here, using the individual stories of people, like myself,
who have found a calling in Speaking and Acting out against Human
Rights abuses, as a lens through which to examine specific human
rights issues. Also included are resources and guides for further
investigation, discussion questions and excercises for classroom
use in learning to apply the Human Rights framework to real-life
situations. Equally important, there are stories of other young
people today who have dared to stand up and begun to make a difference
in their communities and beyond. And finally, the entire script
of Ariel Dorfman's play: Speak Truth to Power: Voices from Beyond
the Dark is included, complete with staging instructions that will
allow schools and other organizations to put on this moving theatrical
adaptation of the voices heard throughout the hardcover book. The
inital 15,000 copies, in English, will be distributed free of charge
to English-language high schools and univeristies by Amnesty International.
The education packet will be available on-line, and can be downloaded
free of charge by anyone who chooses. It is the goal of the STTP
project that the packet will be translated into 5 more languages
in the year to come.
Ariel Dorfman's
Preface
VOICES FROM BEYOND THE
DARK
It has not been easy
for these voices to reach us.
First, they had to overcome
fear. There is always fear at the beginning of every voyage, fear
and its malignant twin, violence, at the beginning of every voyage
into courage.
The bodies that housed
these voices either suffered that violence personally or they witnessed
that violence being visited upon another human being, a group, a
nation. Some saw a father or a son or a wife abducted in the night
and taken away. Others saw children made into warriors and forced
to kill at an early age. Still others saw students being beaten,
a woman being mutilated, communities silenced and massacred, workers
being shot because they demanded a decent wage. Each one of them
saw something intolerable: a man killed because of the color of
his skin or the color of his opinions, people taken into airless
chambers and executed in cold blood, soldiers turn their guns against
the people, women hated because of their sexual choices. They saw
ancestral lands being stolen from their owners, forests devastated,
languages forbidden. They saw books censored, friends subjected
to torture, youngsters made into slaves. They saw lawyers jailed
and exiled because they defended the victims.
And then something happened.
Something extraordinary and almost miraculous. They found a way
of speaking out, the men and women whose voices have now reached
us decided that they could not live with themselves if they did
nothing, they could not stain their lives by remaining silent. They
understood that if they witnessed this suffering inflicted on themselves
or on others, and did nothing, they were, in some twisted way, being
turned into accomplices.
And as they spoke out,
they discovered that the fear slowly disappeared. Not the violence.
The violence increased when they spoke out and they often suffered
in their own bodies, for the first time or again, what had already
been perpetrated on others. But when they spoke out and found others
on the road with them, other voices, from near and far, they began
to find ways of controlling that fear instead of letting the fear
control them.
And then came difficulties
that were even harder to face. Not the boot of the soldier and the
lies of the governments, but the fog of indifference. They had to
face the long nights when it seemed nobody cared, when the darkness
of apathy seemed to surround them, when their voices did not seem
to receive the echo and answer that they needed. They had to face
a demon from inside their minds and a demon that blared also from
the outside world, both demons in unison repeating the same message:
that it was useless, that they should shut their eyes and close
their ears and make believe these crimes against humanity and against
freedom were not happening.
But they persisted -
again, the mystery of how they did it, how they found the strength
and the humor and the stubbornness to continue,they persisted because
if they had lapsed back into stillness it would have been as if
they had died, it would have been better for them not to have been
born.
And at times they were
successful, those voices, and at other times they failed, but they
always knew that the biggest victory was their mere existence, the
fact that they had not been silent, that people around
them and in other lands could not say they did not know what was
happening. That in times when human beings were doing the most terrible
things to one another, others proclaimed, one by one by one, that
our species was something else, should be something else, could
be something else.
Knowing this, knowing
this: that the world could be changed, that the world did not have
to be the way it is.
And their voices endured
and reached out and one of the persons who listened, who came to
listen and record and remember, was Kerry Kennedy-Cuomo. So that
those voices would go farther than their lands and their communities,
so those voices could inspire others even more, so those voices
could persevere one next to the other in a book and in other forms
and beyond.
And then Kerry sent those
words she had gathered to me.
It was not easy for those
voices to reach me.
I had been preparing
all my life for the chance to become a bridge for them. Ever since
I was a child and was moved, early on, by the injustices I saw around
me and then as an adolescent as I realized that those outrages existed
in far more grievous forms beyond my immediate horizon and then
as a young man when it was my turn to see a dictatorship take over
my country, Chile, and watch my friends persecuted and murdered
while I was spared, when it became my turn to go into exile and
wander the globe and everywhere remark the same inequities mirrored
in land after land, when it became my turn to try and figure out
how I could write stories and find the words that explored the vast
heart of human suffering and the vaster complexity and enigmas of
evil, ever since then I had been waiting for the occasion to put
my art yet one more time at the service of those who had kept me
warm in the midst of my own struggles.
And I have been fortunate
enough to have received those voices like you receive a blessing
in the dark and to have given them a dramatic form, the search for
a space from which those voices may speak yet again, over and over
again, as long as there are people, old and young, teachers and
students, audiences and actors, who are willing to hearken and understand
and keep them company. It was a chance to be the fleeting collaborator
of their often fleeting and always splendid lives, a chance to help
them live on. It took me my whole life to find a voice of my own
to accompany these voices.
So you see: it has not
been easy for these voices to reach you.
And yet, now they are
yours.
Nurse them, knowing how
far they have traveled, what they have been through in order to
come this far. Stage them, discuss them, study their issues and
implications, find out why they rebelled, what still remains to
be done.
Take the voices home
with you, carry them into the world.
ABOUT THE CHARACTER OF
THE "MAN"
In this play, the character
of the Man needs some explanation. He is somewhat of a mythical
incarnation, an Evangelist of multiple evils, who reminds us by
his words and presence what the defenders are up against. The start
of the play establishes him as dangerous, in the sense of physical
damage he can inflict, a lurking presence in the State and society
that is ready to spring into action, but as the voices themselves
show that they cannot be stopped by this sort of intimidation (jail,
torture, exile), the Man becomes the embodiment of something more
perverse and pervasive and closer to home, to those who stage this
play and to those who watch it: the forces of indifference and apathy
who are the worst enemies of the struggle for a better world. And
he couches his attack upon them less with threats than with mockery
and derision, the fact that if the world does not care, why should
they be sacrificing their lives? In that sense, he becomes, in a
strange way, a projection of the inner fears of the human rights
activists themselves, the doubts they may allow to creep into their
souls as they take their stand. They have the courage to face death.
The question is, do they have the stamina (and the solidarity among
them) to face unconcern, the lip service to human rights which is
so prevalent among the powerful (people and nations) and which does
not deliver when it comes down to the wire, when we need acts rather
than words. Do they have the courage to face the death in the human
soul that numbs us to the suffering of others? The play does not
give an easy answer to that dilemma, but stages the conflict itself,
returning the question to the audience, precisely through the Man.
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